I've made some headway into this magnificent arrangement--by Camille Saint-Saens no less--of J.S. Bach's Sinfonia to Cantata # 23 Wie Danken Der Gott Wie Danken Der. This has always been one of my favorite pieces of music, usually played on the organ, using multiple stops and pedals, and is an amazing piece. I wondered if there was a good (operative word: "good") piano transcription of this and I began my search.
It took a while but I found the Saint-Saens transcriptions, as well as a video of a chap playing the living daylights out of it. I brought it to my teacher, who was quite excited at the prospect. We began to work on fingering. With Bach, fingering is essential.
I've pretty much memorized the first page and have made some headway into the second. It's such a dense work that this is barely a minute into it, but it's a start. I would never have believed I could play such a piece, not to mention even begin to tackle it after less than two years of lessons, but here I am. But on the other hand, a year ago I had only intended to learn the first part of The Entertainer and save the second part--which seemed incomprehensible to me--for my second year. Now I can play the entire doggone thing.
I'm going to New York City next week to attend the Metropolitan Opera for the first time in my life, as well as visit MOMA and the Guggenheim. I'll be so thoroughly steeped in culture I hope it fuels my way through the Sinfonia.
On December 4th I'm slated to play Christofori and the first two sections of The Entertainer at a recital, so I'm curious to see how this goes. I've never played for anyone before.
Wednesday, November 9, 2011
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